Luckily the people in charge have a plan: Create three perfect Heroes, the best of each world, and send them on a quest to find the Objects of Power that will restore the balance. But things go wrong when the Heroes are needed ten years earlier than expected, and three confused kids set off to save the worlds. Madlen, Bryn, and Cam have no idea what they're looking for or where they'll find it. What they do know is that to fail would mean unthinkable disaster.
It's a pity, then, that someone is determined to stop them...
From the icebound city of the dragons to the magical kitchen of The London House, Joan Lennon has crafter a highly inventive story that is fast-paced, fantastical, and funny.
When Hai's cousin, Oliza Shardae Cobriana, abdicates the throne of Wyvern's Court, Hai has visions only of destruction: the serpiente king Salem, dying in her arms; the dutiful guard, Nicias, unable to save a generation of children; and Wyvern's Court engulfed in flames.
Now Hai will do anything to protect her new home - even if it means betraying the very people who need her most.
The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul.
Nominated as one of America's best-loved novels by PBS’s The Great American Read.
When Death has a story to tell, you listen.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
“The kind of book that can be life-changing.” —The New York Times
“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today
When her mother dies, fifteen-year-old Keelie Heartwood is forced to leave her beloved California to live with her nomadic father at a renaissance festival in Colorado. After arriving, Keelie finds men in tights and women in trailer trash-tight bodices roaming half-drunk, calling each other lady and lord even after closing time! Playacting the Dark Ages is an L.A. girl’s worst nightmare.
Keelie has a plan to ditch this medieval geekland ASAP, but while she plots, strange things start happening―eerie, yet familiar. When Keelie starts seeing fairies and communicating with trees, she uncovers a secret that links her to a community of elves. As Keelie tries to come to grips with her elfin roots, disaster strikes, and Keelie’s identity isn’t the only thing that’s threatened.
One part human determination and one part elfin magic, Keelie Heartwood is a witty new heroine in a world where fantasy and reality mix with extraordinary results.
Suzy Green used to be one of the coolest nonconformist “almost-Goth” party girls in Australia. That was before her older sister Rosie died and her family moved to a new town. Not even her best friend would recognize her now. Gone are the Doc Martens and the attitude. All she wants is to be like Rosie―perfect. The new Suzy Green makes straight As, hangs with the in-crowd at her new school, and dates the hottest guy around. And since all her new friends belong to a virginity club, she joins, too. So what if she’s not technically qualified? Nobody in town knows . . . until Ryan, Suzy’s ex, turns up.
As the past and present collide, Suzy struggles to find her own place in a world without her sister.
It’s a new school year, and for Casey Chang it’s a chance to make a fresh start away from the bad memories in her old town. But for the Drama Club of Ridgefield High, it means a chance to recruit new members. And Brianna Glaser—the Type A co-president of the club—has her sights set on the new girl. But Casey soon finds herself sucked into the excitement and drama. For these kids, Drama Club isn’t just about a school play, it’s about passion and dreams and the future. All Casey wanted was a new life for herself, but Drama Club has opened up a whole new world.
"Overall, a solid and well-cast production."—School Library Journal on The Big Production
A boy discovers the answer to one of the great urban mysteries: why are pigeons always pooping in parks? A second-grade class learns why they should always be nice to their math teacher….An ancient predator uses the internet to search out its prey… A young girl and her little brother escape a campfire weenie only to encounter something even more terrifying: a troupe of Girl Scouts singing campfire songs.
For this, his third collection of warped and creepy “weenie” tales, critically-acclaimed author and master of the macabre David Lubar traveled deep into the shadowy corners of his mind, looking for new ways to amuse and terrify his readers. And in the tradition of In the Land of the Lawn Weenies and Invasion of the Road Weenies, he reveals the inspiration behind each of the thirty-five stories at the end of the book.
When sixteen-year-old Lily Willison and her friends Nikki, Arielle, and Grazia start up a girls' soccer club and name their team the Weregirls, they soon find themselves drawn into a battle between good and evil. Lily's father, a supernatural guardian, makes contact with Lily after his death and reveals that she has magical powers―as do her friends.
As the girls learn more about their powers, they inadvertently awaken the Breed, sworn enemies of the Weregirls. To fight the Weregirls, the Breed Master calls upon Lily's soccer rival―the rich, conceited, and arrogant Andra Hewlit. Desperate for powers of her own, Andra will do anything she can to destroy Lily and the Weregirls….
A young man's quest to reconcile his deafness in an unforgiving world leads to a remarkable sojourn in a remote African village that pulsates with beauty and violence
These are hearing aids. They take the sounds of the world and amplify them." Josh Swiller recited this speech to himself on the day he arrived in Mununga, a dusty village on the shores of Lake Mweru. Deaf since a young age, Swiller spent his formative years in frustrated limbo on the sidelines of the hearing world, encouraged by his family to use lipreading and the strident approximations of hearing aids to blend in. It didn't work. So he decided to ditch the well-trodden path after college, setting out to find a place so far removed that his deafness would become irrelevant.
That place turned out to be Zambia, where Swiller worked as a Peace Corps volunteer for two years. There he would encounter a world where violence, disease, and poverty were the mundane facts of life. But despite the culture shock, Swiller finally commanded attention―everyone always listened carefully to the white man, even if they didn't always follow his instruction. Spending his days working in the health clinic with Augustine Jere, a chubby, world-weary chess aficionado and a steadfast friend, Swiller had finally found, he believed, a place where his deafness didn't interfere, a place he could call home. Until, that is, a nightmarish incident blasted away his newfound convictions.
At once a poignant account of friendship through adversity, a hilarious comedy of errors, and a gripping narrative of escalating violence, The Unheard is an unforgettable story from a noteworthy new talent.
