The Dales of Andre Norton’s Witch World have endured wars, natural disasters, the predations of strange creatures, and treachery. None loves the land as well as Lorcan, orphaned at birth, who has sought his birthright for as long as he can remember. Exiled from his native land when it was invaded by Alizon, he spent his youth in Paltendale where he was treated as an outsider, especially by Hogeth, an heir of that dale, who resented Lorcan’s presence when both were still young men. When he came of age, Lorcan left to seek his own destiny. Since then, he has fought valiantly to rid the Dales of the Alizon invaders, but not even his efforts can prevent the deaths of many people, and the destruction of many keeps and garths. The war now over, he has survived, but so have those who would plunder the lands of the survivors. And among the plundering bandits is his nemesis from Paltendale, now more bitter and determined to vanquish Lorcan. During his travels Lorcan has joined with five blank shields, who, fighting together for common cause, become his boon companions. Then he meets a young noble lass, from a dale known as Honeycoombe for its beekeeping. Her dale has been decimated by the war, but with Lorcan and his band, she will try to rebuild a home where they all can live in peace. Lorcan feels that he might at last find happiness with the valiant fair maiden. But Hogeth now leads marauders across the dales, destroying what they cannot rightfully have, and there will be no peace in the dales until Lorcan and Hogeth settle their old, bitter score.

The Wreath is a story of betrayal and the struggle for control over the forces of magic and scientific knowledge. Kassandra's a bookish teenager with an extreme fear of water. She comes from the sea, but she spends most of her life far from it, an exile sent inland to grow up, betrayed by her own family and fated for slavery. She's caught between a murdering king, a governess who's been trying to kill her since she was four, and river witches who spy on her through the plumbing. She's managed to stay alive so far, but on her thirteenth birthday, Kassandra's world tumbles into the abyss. She cries for the first time in her life, and not just a tear. She discovers that her mother and father didn't abandon her, and there's more to her governess than the tyrannical facade.

Joy Writing:Discover and Develop Your Creative Voice will make you want to write. It will also entertain, inspire, and cheer you as it nudges and teases you toward mastery of language. Novices and experienced writers alike will discover useful tips. Employing over four dozen examples ranging from Shakespeare and Steinbeck to Napoleon Dynamite and Donald Trump, the book maintains that our own favorite authors will teach us their tricks once we learn to “read like a writer.” By the author (or co author) of the perennial bestselling classics There Are No Electrons, Algebra Unplugged, Calculus for Cats, and The Land of Debris and the Home of Alfredo.

Sixteen-year-old Leila Abranel was born some twenty years after her sisters. Her elegant sisters from her father’s first marriage have lives full of work, love affairs, and travel. Leila doesn’t know either of them very well, but she loves hearing about them—details of Rebecca’s ruined marriage, Clare’s first job, and the strings of unsuitable boyfriends. When Rebecca kills herself, Leila wants to know why. She starts by spending time with Clare and finally comes to know her as a person instead of a story. With Clare’s reluctant help, Leila tracks down Rebecca’s favorite places and tries to find her sister’s friends. Along the way, Leila meets Eamon. Eamon is thirty-one and writes for television. He thinks Leila is beautiful and smart, but he does not, he tells her, date teenagers. And yet, the months go by and Leila turns seventeen and learns that you can love someone you are not dating. Maybe letting Eamon love her back is a mistake. Maybe she’ll never know why Rebecca did what she did. Maybe, Leila, decides, most people have a hard time figuring out which way is left or knowing when to let go and when to stay.