When I said the story revolves around Regina Bloomsbury, I meant utterly revolves around. Every single change in her emotion is parroted back through poorly conceived slang use thats a decade ahead of the Beatles and many too far behind to be taken seriously by modern readers. A couple examples are that hideous Y added to make word adjectives and frequent substitution of Moi for Me. And to quote one of the tired similes from the very book, her emotions change Like a roller coaster. She frequently plans to plan what shell do, but files it away for later and is swept up by whatever she happens to be doing in this poorly crafted alternate world. (She Loves You was changed to He Loves You, unacceptable to any Beatles fan). The way she goes about interacting with the many stock characters is incredibly predictable, and droning. One gem that appeared, however, was the limo driver, Abernathy, who becomes an unexpected confidant and is later revealed as the mastermind Fairy Godfather, rather than Godmother. This, and how this wish world works, is revealed unfortunately late, and thus the middle third of the book is left awkward and unexplained. Even when the setup is explained by Abernathy, the transition is more awkward, having an everything is better now feel. She came to no real realizations here, the decision to go back to her old life was just as much chance as any of her mood swings. The portrayal of Reginas trial was ineffective, and reading it like listening a teenager whine for 3 hours.