


With the United States on the verge of civil war, Elijah Tully and his father ride out of Kansas as Jayhawkers, guerrilla fighters against slavery. After his father is killed, Lije goes undercover among the proslavery bushwhackers. Swept into a grisly raid, Lije unexpectedly stands face-to-face with his father's killer -- but is vengeance as simple as he once thought?


Facing annihilation at the hands of the warlike Vogons? Time for a cup of tea! Join the cosmically displaced Arthur Dent and his uncommon comrades in arms in their desperate search for a place to eat, as they hurtle across space powered by pure improbability.
Among Arthur’s motley shipmates are Ford Prefect, a longtime friend and expert contributor to The Hitchhiker’s Guide to the Galaxy; Zaphod Beeblebrox, the three-armed, two-headed ex-president of the galaxy; Tricia McMillan, a fellow Earth refugee who’s gone native (her name is Trillian now); and Marvin, the moody android. Their destination? The ultimate hot spot for an evening of apocalyptic entertainment and fine dining, where the food speaks for itself (literally).
“What’s such fun is how amusing the galaxy looks through Adams’s sardonically silly eyes.”—Detroit Free Press




Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss. Written in 1952, this hugely successful novella confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for Literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Winner of the Scott O'Dell Award for Historical Fiction * ALA Best Book for Young Adults * ALA Notable Children's Book
In this brilliant fictional tour de force, which the New York Times called "a deft, poignant novel," Newbery Medal-winning author Paul Fleischman re-creates the first great battle of the Civil War from the points of view of sixteen participants.
Northern and Southern, male and female, white and black. Here are voices that tell of the dreams of glory, the grim reality, the hopes, horror, and folly of a nation discovering the true nature of war.

Rachel's first person, present tense narrative draws the reader into her experiences feeling the hurt and confusion. Vos acknowledges that the story of Rachel Herzog is her own. The girls intense fear of going outside after the German defeat, caused by their many years of living inside in fear of discovery, and the letters their family receive telling them of their relatives deaths in concentration camps add depth to the story.


Increasingly alienated from his widowed father, Vernon joins his friends in ridiculing the neighborhood outcasts'Maxine, an alcoholic prone to outrageous behavior, and Ronald, her retarded son. But when a social service agency tries to put Ronald into a special home, Vernon fights against the move.
1994 Newbery Honor Book
Notable Children's Books of 1994 (ALA)
1994 Best Books for Young Adults (ALA)
1994 Young Adult Editors' Choices (BL)
1994 Books for the Teen Age (NY Public Library)
Young Adult Choices for 1995 (IRA)


Nominated as one of America’s best-loved novels by PBS’s The Great American Read
A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood", and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.