Meanwhile is a wholly original story of invention, discovery, and saving the world, told through a system of tabs that take you forward, backward, upside down, and right side up again. Each read creates a new adventure!
Awards and praise for Jason Shiga
2004 Eisner Award
2003 Ignatz Award
2007 Stumpton Trophy Award
1999 Xeric Grant Recipient
“Crazy + Genius = Shiga” ―Scott McCloud, author of Understanding Comics
“If humankind ever finds itself at the brink of its own destruction and I am given the task to fill a small, space-bound time capsule with a collection of ten graphic novels that would present to alien eyes the best that the cartoonists of Earth had to offer the universe, Jason Shiga's Meanwhile would surely be among my picks.” ―Gene Luen Yang, author of American Born Chinese
“A creator of comix that can be at once funny, disturbing, thoughtful, deconstructed, and cleverly put together.” ―Time online
“Meanwhile is a wallop of a book/graphic novel! It delivers action, choices, problem solving, and engagement. And it reminds me of my own efforts in writing Choose Your Own Adventure, which I take as a great compliment coming from Jason Shiga. I wish I had written this book! Run, don’t walk, to your favorite bookseller and pick up a copy!” ―R. A. Montgomery, Choose Your Own Adventure author
“Ingenious” ―Edward Packard, Choose Your Own Adventure author
“Zetta Elliott’s time travel novel A Wish After Midnight is a bit of a revelation…It’s vivid, violent and impressive history." (Colleen Mondor for Bookslut)
Genna is a fifteen-year-old girl who wants out of her tough Brooklyn neighborhood. But she gets more than she bargained for when a wish gone awry transports her back in time. Facing the perilous realities of Civil War–era Brooklyn, Genna must use all her wits to survive. In the tradition of Octavia Butler’s Kindred and Madeleine L’Engle’s A Wrinkle in Time, A Wish After Midnight is the affecting and inspiring tale of a fearless young woman’s fight to hold on to her individuality and her humanity in two different worlds.
Then danger finds her in her village, and Cecelia has to act. With the help of her best friend Harper, she decides to take matters into her own hands, relieve Desmia of the the crown, and take up her own rule. But when they venture from their small village to the capital city and into the famed Palace of Mirrors, Harper and Cecelia discover that all is not as it seems, and that they have placed themselves in more danger than ever before.
But life goes on even if you don’t want it to. And when Lacey gets the chance to make a difference in the lives of some people at school, she jumps at it. Making lemonade out of lemons is her specialty. Except she didn’t count on meeting a guy like Sam. Or that sometimes? Lemonade can be a pretty bitter drink to swallow.
Those who prefer their heroes to be not-so-usual and with a side of wiseguy will gobble up this witty, geeks-rule debut.
"FUNNY! I'm officially jealous."--Gordon Korman, author of ONE FALSE NOTE
Is playing blackjack in the school cafeteria that bad? Samara Brooks doesn't think so. She isn't out to hurt anybody. She just wants to create some drama. And she does. Drama . . . and trouble.
When the principal threatens to call her parents, Samara proposes a way to save herself. She'll prove she's not a bad person by conducting a scientific experiment to show she has the same DNA as one of the friendliest girls in school: class president Lily Frederick. But then Nathan Weiss—a kid obsessed with UFOs and mysterious codes, gets involved. And things get really weird. . . .
"If you like your mystery with a side of science and some delightful snark, you're in the right place," says New York Times bestselling author Libba Bray. And Leslie Margolis, author of Girls Acting Catty and Boys Are Dogs says, "Hilarious, wacky and charming."
So when Miss Matlock is brought in as the 7th grade substitute teacher, Chili and her classmate Willie Bright are thrilled. Everyone knows Miss Matlock has traveled around the globe. Why she’s come back to her childhood home after all this time is a mystery, but Chili and Willie are eager to befriend her despite the rumors. As the three spend time together, Chili learns about the jungles and deserts and cities of the world. But she also discovers that there’s more to Mercy Hill than she thought: beauty, in the people and places she’s known all her life, and secrets, sometimes where they’re least expected.
Told in vignettes and set in 1970s Appalachia, To Come and Go Like Magic is a heartwarming and hopeful debut novel about family, friendship, and the meaning of home.
From the author of A to Z Mysteries comes a springtime egg hunt mystery featuring the younger siblings of the A to Z Mysteries kids!
It's a mystery every month from popular A to Z Mysteries author Ron Roy! With the younger siblings of the A to Z Mysteries kids!
April is for Adventure...
In the fourth book of the Calendar Mysteries—an early chapter book mystery series—it's springtime in Green Lawn, and Bradley, Brian, Lucy, and Nate are on an Easter egg hunt. They search high and law and find lots of eggs. But soon it's clear that some of the eggs aren't just well hidden. They're gone! Who would steal Easter eggs? It's up to the four kids to crack this eggs-cellent case.
Parents, teachers, and librarians agree that these highly collectible chapter books are perfect for emerging readers and any kid who loves mysteries!
The Newberry Medal-winning story of a 12-year old girl who lives alone on a Pacific island after she leaps from a rescue ship. Isolated on the island for eighteen years, Karana forages for food, builds weapons to fight predators, clothes herself in a cormorant feathered skirt, and finds strength and peace in her seclusion. A classic tale of discovery and solitude returns to Houghton Mifflin Harcourt for its 50th anniversary, with a new introduction by Lois Lowry.
Amazon Exclusive: A Letter from Lois Lowry on Writing the Introduction to Island of the Blue Dolphins, 50th Anniversary Edition
Dear Amazon readers, Last summer, when I was asked to write an introduction to a new edition of Island of the Blue Dolphins, my mind went back in time to the 1960s, when my children were young and it was one of their best-loved books. But a later memory surfaced, as well, of a party I was invited to in the summer of 1979. By now the kids were grown. I was in New York to attend a convention of the American Library Association, and Scott O'Dell's publisher, Houghton Mifflin, was honoring him at a reception being held at the St. Regis Hotel. I had never met Mr. O'Dell. But because of my own children I knew his books, and I was pleased to be invited to such an illustrious event. I was staying at a nearby hotel and planned to walk over to the party. But when I began to get dressed, I encountered a problem. I was wearing, I remember, a rose-colored crêpe de Chine dress. It buttoned up the back. I was alone in my hotel room. I buttoned the bottom buttons, and I buttoned the top buttons, but there was one button in the middle of my back that I simply couldn’t reach. It makes me laugh today, thinking about it, picturing the contortions I went through in that hotel room: twisting my arms, twisting my back, all to no avail. The clock was ticking. The party would start soon. I had no other clothes except the casual things I'd been wearing all day and which were now wrinkled from the summer heat. Finally I decided, The heck with it. I left the room with the button unbuttoned and headed off. When I got in my hotel elevator, a benign-looking older couple, probably tourists from the Midwest, were already standing inside, and I explained my predicament politely and asked if they could give me a hand. The gray-haired man kindly buttoned my dress for me. We parted company in the lobby of my hotel and off I went to the St. Regis, where I milled around and chatted with countless people, sipped wine, and waited for the guest of honor, Scott O'Dell, to be introduced. When he was, of course he turned out to be the eighty-one-year-old man who had buttoned my dress. But wait! There's more. Ten years passed. I had never seen Mr. O'Dell during the intervening years, but now, suddenly, we were the two speakers at a luncheon being held on a college campus somewhere. I think it may have been Vassar. We sat next to each other at the head table, nibbling our chicken, chatting about the weather. I knew he wouldn't remember me, but I certainly remembered him, and I was secretly thinking that when it was my turn to speak, I might tell the audience the amusing little anecdote about the button on my dress. But he went first. And, eyes twinkling, he started his speech with "The last time I was with Lois Lowry, we were in a New York hotel. I was helping her get dressed." He was ninety-one at the time. All of this floated back into my mind when I found myself rereading, last summer, The Island of the Blue Dolphins. None of it was appropriate to the book's introduction, of course, and I went on to write, instead, about the power of the story and the magnificence of the writing. Not that anyone needed reminding! There has never been a question about Scott O'Dell's brilliance as a writer and storyteller. But it's nice to have a chance, here, to tell an audience that he was also a sweet and funny man. Lois Lowry(Photo © Neil Giordano)
When his five-year-old neighbor goes missing, Jack can’t help feeling responsible. He should have taken Cody home when he found him riding his bicycle near the Pine Barrens. And then a lost man wanders out of the woods after being chased all night by...something. Jack knows, better than anyone, that the Barrens are dangerous—a true wilderness filled with people, creatures, and objects lost from sight and memory. Like the ancient, fifteen-foot-tall stone pyramid he, Weezy, and Eddie discover. Jack thinks it might have been a cage of some sort, but for what kind of animal, he can’t say. Eddie jokes that it could have been used for the Jersey Devil. Jack doesn't believe in that old folk tale, but something is roaming the Pines. Could it have Cody? And what about the strange circus that set up outside town? Could they be involved? So many possibilities, so little time...
Welcome to the Ozarks, the setting of award-winning author Christine Lynxwiler’s latest breath-taking romance, where the lives of a timid dog whisperer and an out-for-revenge reporter collide. Elyse McCord, the biological daughter of a modern-day Bonnie and Clyde, turns into a mighty warrior when a dog’s well-being is at stake. Finding herself in the sights of a pistol-wielding maniac whose been mistreating his dog, she’s suddenly swept to safety by Andrew Stone, a widower bent on hunting down his wife’s killers. Is there any future for an outlaw’s daughter and a Texas ranger’s son?
When Ali and Doug start dating, Ali is falling so hard she doesn’t notice a few odd signs: he never changes clothes, his head is a funny shape, and he says practically nothing out loud. Finally Marie, the school paper’s fashion editor, points out the obvious: Doug isn’t just a really sincere goth. He’s a zombie. Horrified that her feelings could have allowed her to overlook such a flaw, Ali breaks up with Doug, but learns that zombies are awfully hard to get rid of—at the same time she learns that vampires, a group as tightly-knit as the mafia, don’t think much of music critics who make fun of vampires in reviews. . . .
For eleven-year-old Gopal and his family, life in their rural Indian village is over: We stay, we starve, his baba has warned. With the darkness of night as cover, they flee to the big city of Mumbai in hopes of finding work and a brighter future. Gopal is eager to help support his struggling family until school starts, so when a stranger approaches him with the promise of a factory job, he jumps at the offer.
But Gopal has been deceived. There is no factory, just a small, stuffy sweatshop where he and five other boys are forced to make beaded frames for no money and little food. The boys are forbidden to talk or even to call one another by their real names. In this atmosphere of distrust and isolation, locked in a rundown building in an unknown part of the city, Gopal despairs of ever seeing his family again.
But late one night, when Gopal decides to share kahanis, or stories, he realizes that storytelling might be the boys' key to holding on to their sense of self and their hope for any kind of future. If he can make them feel more like brothers than enemies, their lives will be more bearable in the shop—and they might even find a way to escape.