Avalon, the great tree world connecting the earth and the heavens, is about to be destroyed. The warlord Rhita Gawr is bent on conquest—and using an army of deathless warriors, a corrupted crystal, and a plague of arrogance and greed to succeed. Three unlikely heroes are Avalon's only hope. Tamwyn, the wilderness guide, must travel the secret pathway to the stars. Elli, the brave young priestess, must defeat a terrible sorcerer in a realm of utter darkness. And Scree, the eagleman, must lead his winged people to do what seems impossible . . . This spectacular final volume of T. A. Barron's bestselling trilogy combines gripping adventure with profound ideas about the powerful connections between humanity and the world.

In Alosha and The Shaktra, thirteen-year-old Ali Warner discovered that she was not an ordinary teenager, but was actually Queen of the Fairies. Through seven painful trials, Ali reclaimed many of her magical powers and defeated an elemental army that was preparing to attack the Earth. In the elemental world, Ali learned the true nature of her greatest enemy -- the Shaktra -- and discovered why it covets the Yanti, a mystical talisman of immense power that Ali now possesses.Now, in The Yanti, Ali discovers that a mysterious Entity is masterminding the Shaktra's attack on Earth, an attack that will kill billions and leave both Earth and the elemental world shattered. Still reeling from the death of one of her closest friends, Ali finds herself accused of murder on Earth and besieged by enemies in the elemental world. The Shaktra has had years to develop her magical abilities and her evil plots, guided by the otherworldly Entity. Ali has only known about her fairy powers for a month. There are holes in her fairy memories and her powers are still incomplete, while the Shaktra commands vast armies of hideous monsters and rules over hosts of dragons.Ali's allies are few: one dragon, one leprechaun, a single troll, a handful of fairies and an African boy, Ra, who has sworn to serve Ali even beyond death. Plus the mysterious disembodied Nemi -- whose love sustains Ali through her darkest moments of despair. Only the Yanti can stop what is to come. Unfortunately, Ali has barely had a chance to study it. The first time she tries to use it as a weapon, it nearly kills her. Unless Ali Warner can solve the riddle of the Yanti - and the mystery behind the Shaktra's insane bitterness -- then the Earth and the elemental world will be doomed.

Picking up from the final pages of the Pentultimate Peril, this farewell installment to the ridiculously (and deservedly!) popular A Series of Unfortunate Events places our protagonists right where we last left them: on a large, wooden boat in the middle of the ocean, trapped with their nemesis Count Olaf, who has armed himself with a helmet-full of deadly Medusoid Mycelium. The situation quickly and--this being the Baudelaires--predictably deteriorates. Violet, Klaus, and Sunny find themselves tossed in a storm so terrible that our beloved narrator spends four pages describing how he cannot describe it. From this point on, fans of the series' smarty-pants wordplay and acrobatic narrative can rest assured that they're in for more of the same (and how) in this 368-page finale, and Daniel Handler's deadpan Snicket continues to tutor a generation in self-referential humor (including one particularly funny bit regarding three very short men carrying a large, flat piece of wood, painted to look like a living room). Snicket notes, of course, that if you read the entire series, "your only reward will be 170 chapters of misery in your library and countless tears in your eyes." There's one big question, though, for anyone who's made it through "the thirteenth chapter of the thirteenth volume in this sad history": is the final book a fitting end? That question is probably best-answered by one of The End's most oft-repeated phrases: It depends on how you look at it. Those looking for conclusive resolution to the series' many, many mysteries may be disappointed, although some big questions do get explicit answers. Not surprisingly for a work so deliberately labyrinthine, though, even the absence of an answer can be sort of an answer--and reaction to The End can be something of a Rorschach test for readers. Or, as Lemony Snicket says, "Perhaps you don’t know yet what the end really means." --Paul Hughes

NOW A NETFLIX ORIGINAL SERIESViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odor. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Never before has a tale of three likeable and unfortunate children been quite so enchanting, or quite so uproariously unhappy.