Santi agreed to join the Bear Canyon Wilderness Therapy Program for one reason: less time in juvie. Amelia signed up to prove a point. Victor--well, no one can figure out why Victor's on the trip, but he's definitely not out to make friends. After a mudslide sweeps away other campers, the trio is left stranded in the Colorado wilderness and short on supplies. They'll have to band together to survive the elements, their demons, and each other.

A ghost story with a literary heart for fans of Neil Gaiman’s Coraline and The Graveyard Book. Theater kids and ghost-story readers alike will find new meaning in the term stage fright.   All great theaters have their ghosts. . . .   After Olive Preiss freezes during a theater camp audition, she flees in despair. She finds herself at Maudeville, a beautiful old theater that she’s never noticed before. She enters, goes onstage, and sings her song. “Thank you for that lovely audition, darling,” comes a voice from the shadows. “I believe I have just the part for you.”   Olive is thrilled to work with Maude Devore, the glamorous actress who owns the theater, and her eclectic cast of misfits. Yet gradually there are signs that Maudeville isn’t exactly what it seems. Sometimes—just for a moment!—it feels wrong. As opening day approaches, Olive’s doubts and fears grow. But no matter what, this show must go on . . . and on . . . and on. . . .“Richly drawn . . . a haunting and ethereal tale.” —Booklist, Starred Review

From a prize-winning biographer comes the defining portrait of a man who led America in a time of turmoil and left us a darker age. We live today, John A. Farrell shows, in a world Richard Nixon made.   At the end of WWII, navy lieutenant “Nick” Nixon returned from the Pacific and set his cap at Congress, an idealistic dreamer seeking to build a better world. Yet amid the turns of that now-legendary 1946 campaign, Nixon’s finer attributes gave way to unapologetic ruthlessness. The story of that transformation is the stunning overture to John A. Farrell’s magisterial biography of the president who came to embody postwar American resentment and division.     Within four years of his first victory, Nixon was a U.S. senator; in six, the vice president of the United States of America. “Few came so far, so fast, and so alone,” Farrell writes. Nixon’s sins as a candidate were legion; and in one unlawful secret plot, as Farrell reveals here, Nixon acted to prolong the Vietnam War for his own political purposes. Finally elected president in 1969, Nixon packed his staff with bright young men who devised forward-thinking reforms addressing health care, welfare, civil rights, and protection of the environment. It was a fine legacy, but Nixon cared little for it. He aspired to make his mark on the world stage instead, and his 1972 opening to China was the first great crack in the Cold War.     Nixon had another legacy, too: an America divided and polarized. He was elected to end the war in Vietnam, but his bombing of Cambodia and Laos enraged the antiwar movement. It was Nixon who launched the McCarthy era, who played white against black with a “southern strategy,” and spurred the Silent Majority to despise and distrust the country’s elites. Ever insecure and increasingly paranoid, he persuaded Americans to gnaw, as he did, on grievances—and to look at one another as enemies. Finally, in August 1974, after two years of the mesmerizing intrigue and scandal of Watergate, Nixon became the only president to resign in disgrace.      Richard Nixon is a gripping and unsparing portrayal of our darkest president. Meticulously researched, brilliantly crafted, and offering fresh revelations, it will be hailed as a master work.

The highly anticipated, mind-blowing New York Times bestselling sequel to Kiersten White’s New York Times bestseller, AND I DARKEN—the series that reads like HBO’s Game of Thrones . . . if it were set in the Ottoman Empire.  A SISTER FILLED WITH RAGE Lada Dracul has no allies. No crown. All she has is what she’s always had: herself. After failing to secure the Wallachian throne, Lada is out to punish anyone who dares cross her. She storms the countryside with her men, but brute force isn’t getting Lada what she wants. And thinking of Mehmed, the defiant Ottoman sultan, brings little comfort to her thorny heart. There’s no time to wonder whether he still thinks about her, even loves her. She left him before he could leave her. HER BROTHER CAUGHT IN THE CROSSHAIRS Lada needs the support of her diplomatic younger brother, Radu. But Mehmed has sent him to Constantinople—and it’s no diplomatic mission. Mehmed wants control of the city, and Radu has earned an unwanted place as a double-crossing spy behind enemy lines. And for the first time in his life, when Lada asks him for help, he refuses . . . leading his sister to make the darkest of choices. THE ULTIMATE POWER PLAY Torn between loyalties to faith, to the Ottomans, and to Mehmed, Radu knows he owes Lada nothing. If she dies, he could never forgive himself—but if he fails in Constantinople, would Mehmed ever forgive him? As nations fall around them, the Dracul siblings must decide: what will they sacrifice to fulfill their destinies? Empires will topple, thrones will be won . . . and souls will be lost. Fans of Victoria Aveyard’s THE RED QUEEN and Sabaa Tahir’s A TORCH AGAINST THE NIGHT won’t want to miss this riveting and gorgeously written novel—the second in the And I Darken series.★ "Gorgeous, rich, and rewarding."—Booklist, starred review★ "Absolutely devastating in the best way."—Kirkus, starred review“A+, 5 knives.”—Amie Kaufman, New York Times bestselling co-author of the STARBOUND and ILLUMINAE FILES trilogies   “Fierce, epic, and crazy fun.”—Melissa Albert, New York Times bestselling author of THE HAZEL WOODA Teen Choice Book Award nominee! Praise for And I Darken:   “A dark jewel of a story, one that gleams with fierce, cunning characters—absolutely riveting.” —Alexandra Bracken, #1 New York Times bestselling author of Passenger   “A dark, gritty, and seriously badass epic that will have you dying for more . . . required reading for every feminist fantasy fan.” —BuzzFeed   “Evocative . . . this book takes no prisoners.” —NPR