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Gentle French: French grammar as native speakers...
I am a professional writer in English and I speak fluent French. By fluent, I mean that I can carry on a conversation for hours at a time without ever being at a loss for words. You have probably heard that French is a difficult language to learn. The bad news is, unfortunately this is correct. The good news is, it is much easier to learn if properly approached. Much easier. If your objective is mainly to speak rather than to create chefs-d’oeuvres littéraires, then I believe you will find this book of considerable help.Objectively, English is an easier language than French because of its demonstrably simpler grammar. But don’t be misled. Certain characteristics of French are simpler than their equivalents in English. By rejoicing in French’s simplicities rather than focusing on its complexities, learning the language can be made more rapid and more enjoyable than you might have expected. Structurally, Gentle French is designed to achieve two principal objectives:1. Emphasize those characteristics of French that make it easier than English2. Simplify the undeniable complexities of French as much as humanly possible, particularly in terms of how native speakers think about their language when they are actually using it. We are all familiar with grammar books that enunciate a rule, then list 5 -10 exceptions where it doesn’t apply. It is facetiously said that in French, the exception is the rule. However, looked at properly, many of these so-called “exceptions” do follow the rule, or come closer to following it than their formal grammatical description might suggest. Exceptions are the principal factor that makes learning a language difficult. Separating “false exceptions” from real ones therefore should make the task considerably easier, which this book diligently tries to do.As another way to maximize understanding, Gentle French keeps grammatical terminology to an absolute minimum – and in fact changes it when conventional terminology would hinder understanding, rather than helping it. To achieve its objectives, the book is divided into five parts.1. The Psychology of Learning French This section proposes the proper psychological approach to learning French, and suggests a number of pedagogical artifices to make learning easier and more enjoyable.2. Seven Ways French Is Easier than English This section looks at the basic structure and logic of French to highlight fundamental features of French that are demonstrably easier than they are in English. 3. Essentials of French GrammarThis section looks at how the principles enunciated in Parts 1 & 2 work in practice. Constant emphasis is placed on the regularities of French and its similarities to English. To this end, it introduces a new way of categorizing grammar: 1) foundational grammar, 2) explicative grammar, 3) decorative grammar. 4. ParticularitiesThis section examines particular problems English speakers encounter in learning French, such as pronominal verbs, verbs conjugated with être instead of avoir, use of c’est, use of chez, silent letters, etc. It also suggests logical — or at least psychological — ways of dealing with these problems.5. Ready ReferenceThis section is a compendium of key reference materials such as basic grammatical terminology, conjugation of key irregular verbs, true friends (vrais amis), false friends (faux amis), common idiomatic expressions, special problems between French and English, etc. In short, the purpose of the book is to help you think in French, so you will better understand what is going on in the mind of native French speakers when words are actually coming out of their mouths. It is only when you truly begin to think like a Francophone that you can truly begin to speak like one.
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College-level Writing: The Essential Ten Percent
Literate people are literate because they have been taught how to read and write. Right? Wrong. They have been taught how to read, but many (if not most) have never really been taught how to write.“I know, because I used to be one of them,” says Philip Yaffe, a former reporter/feature writer with The Wall Street Journal and long-time international marketing communication consultant. ”When I was in high school, I thought I knew how to write, but when I went to college, I was shocked to discover that I didn’t.“Much secondary school writing is aimed at helping students perfect their mechanical skills such as grammar, vocabulary, rhythm, syntax, etc. In college, it is assumed that students already do these things well. The task now is to use these skills to clearly, concisely, and persuasively present or defend an argument or point of view. This is where I and many of my freshman colleagues fell down,” he explains.College-level Writing: The Essential Ten Percent attempts to rectify the problem by focusing on the truly key ideas and techniques needed to achieve these objectives.College-level Writing: The Essential Ten Percent displays, explains, and provides exercises for general writing principles and practices that can be adapted to all kinds of college-level writing formats, e.g. book reviews, term papers, research papers, theses, essay exams, etc. “If you truly understand and master the principles and practices explained in this book, it really won’t matter what format may be imposed on your writing. The format is like the cover of a book. The essential thing is what is inside,” the author says. As any good teacher knows, saying something once is tantamount to not saying it at all. People may understand something the first time they hear it, but that doesn’t mean that they will necessarily remember it or understand it later. Key ideas must be repeated to ensure comprehension.College-level Writing: The Essential 10 Percent is therefore purposely redundant. You will see certain pieces of information repeated in many different places. This is done to ensure that vital information is always available when and where you need it. You won’t have to go looking for it on an earlier page in order to understand the page you are currently reading.Because they are fundamental, the principles and practices taught in this book are also adaptable to business and professional worlds beyond graduation.Philip Yaffe was born in Boston, Massachusetts, in 1942 and grew up in Los Angeles, where he graduated from the University of California with a degree in mathematics and physics. In his senior year, he was also editor-in-chief of the Daily Bruin, UCLA’s daily student newspaper.He has more than 40 years of experience in journalism and international marketing communication. At various points in his career, he has been a teacher of journalism, a reporter/feature writer with The Wall Street Journal, an account executive with a major international press relations agency, European marketing communication director with two major international companies, and a founding partner of a specialized marketing communication agency in Brussels, Belgium, where he has lived since 1974. Other Books by this AuthorWord for Windows: The Essential Ten PercentThe Human Body: The Essential Ten Percent (to be published in February 2012)The Gettysburg Approach to Writing & Speaking like a ProfessionalThe Gettysburg Collection: A comprehensive companion to The Gettysburg Approach to Writing & Speaking like a ProfessionalActual English: English grammar as native speakers really use itGentle French: French grammar as native speakers really use itWhat’d You Say? / Que Dites-Vous?Fun with homophones, proverbs, expressions, false friends, and other linguistic oddities in English and FrenchThe Little Book of BIG MistakesScience for the Concerned Citizen: What you don’t know CAN hurt you
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Actual English: English Grammar as Native Speakers...
I have long believed that learning another language is hindered by the grammar books, whose look and layout make the task seem impossibly difficult. English is my native language and I am a professional writer. Nevertheless, even I sometimes shudder at the sight of an English grammar book.I recently read one such book for French speakers that declared: In English, more than other languages, it is often difficult to determine to which part of speech certain words belong. Often a word can be an adverb, a proposition, or a conjunction. These two sentences eloquently exemplify what I believe is wrong with the majority of English grammar books. They are written by grammarians for grammarians, rather than for learners. The fact that “before” can be an adverb, a conjunction, or a preposition is of little consequence. The important thing is for learners to know the word, and when and how to use it, not what part of speech it represents in any particular circumstance.Another thing grammar books do is to enunciate a rule, then list 5-10 exceptions that must be memorized. English, like French, has its share of exceptions. However, looked at properly, many of these so-called exceptions do follow the rule, or come closer to following it than their formal grammatical description might suggest. Exceptions are a principal factor that makes learning a language difficult. Separating false exceptions from real ones therefore should make the task considerably easier.In this work I have kept grammatical terminology to a minimum, and in fact have changed it where I believe conventional terminology would hinder understanding rather than helping it. I have also reduced the number of exceptions to each rule by looking at the language through the eyes of the native anglophones who actually speak it, rather than through the eyes of grammarians who study and dissect it.Objectively, English is the easiest of all the major world languages to learn (German, French, Italian, Spanish, etc.) because its grammar is fundamentally simpler. This fact is occasionally mentioned in grammar books; however, it is never really exploited. The purpose of this book is to help non-native speakers better understand how native anglohones view and use their language, with emphasis on its simplicities and regularities rather than its complexities and exceptions. As an extra aid, false exceptions are always clearly indicated.In short, the purpose of Actual English is to help you think in English, i.e. help you better understand how native anglophones think about their language when they are actually speaking it.
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Public Speaking: The Essential Ten Percent
The March 2010 edition of the Toastmaster, the monthly magazine of Toastmasters International, published an article titled “The Better You Write It, the Better You Say It.” Toastmasters International is a worldwide club dedicated to helping people improve their speaking and presentation skills. It has over 270,000 members in more than 100 countries. The article makes a couple of crucial points. Excluding pure entertainment, the objective of most speeches is to convey information, or to promote or defend a point of view. Certain tools, such as vocal variety and body language, can aid this process. But by their very nature they can communicate only emphasis or emotion.If your words are incapable of getting your message across, then no amount of gestures or vocal variety will do it for you. Thus, when preparing a speech, your first objective must always be to carefully structure your information and look for the best words or phrases to express what you want to say . . . But if writing your speech is the key to success, how should you go about it?” In line with this analysis, the first purpose of this book is to lay down a few simple ground rules for writing a good speech. Once you have produced a credible, coherent speech, the second objective is to lay down a few equally simple ground rules for delivering it in the most congenial, forceful, persuasive manner possible.The “theoretical” part of the book takes up only about one-third the total text. It is so short because the fundamental principles of effective public speaking are few and, when explained, are almost self-evident. It is divided into three interrelated sections.•The Essentials of Good Writing (how to compose a good speech)•The Essentials of Good Public Speaking (how to effectively deliver a good speech)•The Essentials of Effective Visual Aids (how to effectively support a good speech) The “practical” part of the book (two-thirds of the total text) consists of 10 carefully crafted appendices that explore certain key principles and techniques in greater detail, as well as providing some exercises to help you practice them. For example:•Steve Jobs: Lessons from a Presentation Icon •The Day I Lost My Fear of Public Speaking•How to Untie Your Tongue•Laugh Your Way to Persuasive CommunicationPublic Speaking: The Essential Ten Percent is part of the expanding “The Essential Ten Percent” series. The series was launched in 2011 on the premise that many self-instructional books fail to distinguish between:•Casual Users — those who need to understand and apply only the very basics of a subject.•Intensive Users — those who need to understand and apply virtually everything. As a result, most such books tend to make fundamentally simple ideas appear to be unnecessarily complex. And more complex ideas hopelessly impenetrable.Books in “The Essential Ten Percent Series” rigorously focus on the casual user to ensure that simple ideas remain simple and more complex ideas can be decomposed into simpler ones."Don’t write merely to be understood. Write so that you cannot possibly be misunderstood." — Robert Louis Stevenson
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The Human Body: The Essential Ten Percent
Everyone’s single most important possession is our body. If that is not in proper working order, then nothing else in life really matters. Nevertheless, most people have only a vague — and often erroneous — idea of how the body is structured and functions.The body is indeed complex, meaning that it is composed of numerous systems and subsystems. However, it is nowhere near as complicated as it is often presented.The key is to describe the body based on only a handful of fundamental principles, i.e. the “architectural plan” that underlies virtually everything it does. Once these principles are clearly understood (they are not difficult), the body’s apparently impenetrable systems and subsystems become almost self-evident.The Human Body: The Essential Ten Percent is specifically designed to help make the body’s “architectural plan” and fundamental principles stand out in sharp relief. For example, many books compare the body to a well-oiled machine. By contrast, The Human Body: The Essential Ten Percent compares it to a city. Why? “Today, most people live in cities and have an instinctive understanding of how a complex urban environment works. Moreover, comparing it to a city gives more realistic description of how the body actually works,” says author Philip Yaffe.The body is not composed of a respiratory system linked to a digestive system linked to a circulatory system linked to a urinary system, etc. Rather, all of its systems interact to achieve a single overriding objective: to ensure the proper functioning of each and every one of the body’s 100 trillion individual cells. Relating everything back to the individual cell makes the need for systems and their general structures blazing obvious.An unusual feature of The Human Body: The Essential Ten Percent is that it is purposely redundant.As any teacher knows, saying something once is tantamount to not saying it at all. Key ideas must be frequently repeated to be certain that they don’t get lost in the details. The reader will therefore see pieces of information repeated in many different places. This is to ensure that vital information is always available when and where the reader needs it. He won’t have to go looking for it on an earlier page in order to understand the page he is currently reading.To add some light relief, the book also contains a chapter on “Funny Facts about the Human Body” and “Quotations about the Body” from scientists, philosophers, poets, and even humorists.The Human Body: The Essential Ten Percent is part of the expanding “The Essential Ten Percent” series. The series was launched in 2011 on the premise that many self-instructional books fail to distinguish between:•Casual Users — those who need to understand and apply only the very basics of a subject.•Intensive Users — those who need to understand and apply virtually everything. As a result, most such books tend to make fundamentally simple ideas appear to be unnecessarily complex. And more complex ideas hopelessly impenetrable.Books in “The Essential Ten Percent Series” rigorously focus on the “casual user” to ensure that simple ideas remain simple and more complex ideas can be decomposed into simpler ones.The books in “The Essential Ten Percent” series (at February 2012) are:College-level Writing: The Essential Ten PercentPublic Speaking: The Essential Ten PercentThe Human Body: The Essential Ten PercentWord for Windows: The Essential Ten Percent
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Damage Done
Kirsty's father has no interest in her whatsoever, and her horses are her sole source of affection. Until she meets Dally, a teenager living rough after running from his demanding parents.
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Night Sky
After losing Sarah, the friend he’s loved, to some other guy, Jameson meets Sky. Her Native American roots, fluid movements, and need for brutal honesty become addictive fast. This is good. Jameson needs distraction – his dad leaves for another woman, his mom’s walking around like a zombie, and Sarah’s new boyfriend can’t keep his hands off of her. As he spends time with Sky and learns about her village, her totems, and her friends with drums - she's way more than distraction. Jameson's falling for her fast. But Sky’s need for honesty somehow doesn’t extend to her life story – and Jameson just may need more than his new girl to keep him distracted from the disaster of his senior year.
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Life On Hold
A paper found. A secret revealed. A girl's life changed forever. Myra Gibson's life is a lie. For sixteen years her parents have kept their secret, but the adoption paper she discovers while cleaning the summerhouse tells the truth. As the past and present collide, Myra finally stands up for herself and begins a journey she may regret.
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Forever Hunger
When NYPD Sergeant Roy Ruiz began working the serial killings with Detective Tim Rosetto, they had no way of knowing the killer whom they were hunting had been dead for over two hundred years. The grisly crime scenes leave plenty of forensic evidence, but unfortunately, none of it makes any sense—unless you can open your mind to some very strange possibilities. FBI Special Agent Doug Patmore, whose special unit works with Missing Persons, Unsolved Violent Crimes, Homicide, and Sexual Assaults has been hunting this killer for years. Together with Roy and Tim, they begin their mind bending investigation that will lead them to Adam Priest—a man that’s been killing and eating women since 1806. Adam was a lowly Prussian soldier when he was attacked in the woods after the battle of Jena, and the attack changed him forever. It killed the man and created a monster with a hunger for blood that was insatiable. For two hundred years, Adam fed without remorse—until he met Sara. Now, with an emotion almost human tugging at his dead heart, he must decide what to do about Sara as the police get closer with each feeding.
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Gamers
Two points for brushing your teeth. Ten points for keeping your room tidy. Seventy-two points for the Bioeconomic Game Design pop quiz on the ride to school in your personal FunCar. Another thirty for making every hurdle in gym class. Life is a game, unless you're not the one winning. When Gabby DeCorte, top student and reality-hacker extraordinaire, learns the truth about LifeGame, she must choose between winning and what she believes in.