Exiled in shame and wounded in battle, Caden O’Byrne accepts a mission of penance—to search for his healer’s long-lost daughter. At worst, he’ll finally get his death wish. At best, this could be God’s second chance. But the lovely minstrel Sorcha wants no part in him, his newfound God, or the rescue. In fact, she’s robbed him blind—to help finance her work of buying young captives and returning them to their families. She’s also gone into debt and promised to marry a man she doesn’t love—all for the chidlren’s sake. But before she and Caden can sort out the situation, a treacherous murder forces them to run for their lives…together. While Caden’s rekindled faith is tested, Sorcha wonders if his God is real. If so, can a thief like her dare hope for His mercy? And do the two of them have a chance of reaching home—Sorcha’s real home—alive?
There’s a rip in the blue umbrella, and time—and Chelsea—are slipping through! One moment she was there, the next moment she was not, and Ches Cholmondeley was watching when it happened. And he learns of other mysterious goings-on: for three days in a row the world’s atomic clocks have lost a second, resulting in bizarre accidents ranging from dropped casseroles to plane crashes. Are these events related? What’s a brother to do? Figure out a way to get his sister back, of course. In search of answers, Ches befriends the local clockmaker, Myron Stinchcombe, who knows a lot about time, and seeks out Sky Porter, who knows a lot about, well, everything. But time is running out. And Ches is torn, knowing that the very deed that can save the world might also keep his sister from ever returning to it.
In 1897 England, sixteen-year-old Finley Jayne has no one…except the "thing" inside her.
When a young lord tries to take advantage of Finley, she fights back. And wins. But no normal Victorian girl has a darker side that makes her capable of knocking out a full-grown man with one punch….
Only Griffin King sees the magical darkness inside her that says she's special, says she's one of them. The orphaned duke takes her in from the gaslit streets against the wishes of his band of misfits: Emily, who has her own special abilities and an unrequited love for Sam, who is part robot; and Jasper, an American cowboy with a shadowy secret.
Griffin's investigating a criminal called The Machinist, the mastermind behind several recent crimes by automatons. Finley thinks she can help—and finally be a part of something, finally fit in.
But The Machinist wants to tear Griff's little company of strays apart, and it isn't long before trust is tested on all sides. At least Finley knows whose side she's on—even if it seems no one believes her.
Here be ghosts, the maps said, and that was all.
In this haunted kingdom, ghosts linger—not just in the deepest forests or the darkest caverns, but alongside the living, as part of a twisted palace court that revels all night and sleeps through the daylight hours.
Darri's sister was trapped in this place of fear and shadows as a child. And now Darri has a chance to save her sister . . . if she agrees to a betrothal with the prince of the dead. But nothing is simple in this eerie kingdom—not her sister, who has changed beyond recognition; not her plan, which will be thrown off track almost at once; and not the undead prince, who seems more alive than anyone else.
In a court seething with the desire for vengeance, Darri holds the key to the balance between life and death. Can her warrior heart withstand the most wrenching choice of all?
He’s a devil of an angel.
Azazel should have extinguished the deadly Lilith when he had the chance. Now, faced with a prophecy that will force him to betray the memory of his one true love and wed the Demon Queen, he cannot end her life until she leads him to Lucifer. Finding the First is the Fallen’s only hope for protecting mankind from Uriel’s destruction, but Azazel knows that ignoring his simmering desire for the Lilith will be almost as impossible.
She’s an angel of a demon.
Rachel Fitzpatrick wonders how Azazel could confuse her with an evil seductress. She’s never even been interested in sex! At least not before she set eyes on her breathtaking captor. And now she can’t think about anything else—besides escape.
Angels and demons don’t mix.
Rachel stirs a carnal need in Azazel that he never thought he’d feel again. Falling for a demon—even if she has no idea she’s the Lilith—means surrendering his very soul. But if he lets her go, he risks abandoning his heart, his dangerous lover, and possibly all of humanity, to Uriel’s deadly wrath.
But Annabelle isn’t equipped to deal with the murder of a sixyear- old girl or a former lover-turned-FBI snob taking an interest in the case. Suddenly her already bumpy relationship with Cane turns even rockier, and even the most trust-worthy friends become suspects. Annabelle’s life is imploding: between relationship drama, a heartbreaking murder investigation, Breeze-crazed drug runners, and a few too many rum and Cokes, Annabelle is a woman on the run—from her past, toward her future, and into the arms of a darkness waiting just for her. . . .
"A sultry start to a promising new series. Dead on the Delta sizzles with action, danger, and romance." -- Jennifer Estep, USA Today bestselling author of the Elemental Assassin series
A fallen angel in human form, Brynna is trying to earn another chance at heaven. So far, her road to redemption is littered with casualties, especially since Lucifer’s minions are intent on dragging her back to hell. And being mortal only got more complicated since Brynna became involved with Detective Eran Redmond.
Still, Brynna’s relationship issues—like the fact that one glimpse of her can drive men crazy with desire—may have to wait. A mysterious “hero” is saving Chicago’s citizens from certain death, with strange and sinister consequences. Brynna knows too much about demonkind to believe in coincidences. Some dark force is at work here, and Brynna may be the only one who can stop it. . . .
Penelope Taberner Cameron is a solitary and a sickly child, a reader and a dreamer. Her mother, indeed, is of the opinion that the girl has grown all too attached to the products of her imagination and decides to send her away from London for a restorative dose of fresh country air. But staying at Thackers, in remote Derbyshire, Penelope is soon caught up in a new mystery, as she finds herself transported at unforeseeable intervals back and forth from modern to Elizabethan times. There she becomes part of a remarkable family that is, Penelope realizes, in terrible danger as they plot to free Mary, Queen of Scot, from the prison in which Queen Elizabeth has confined her.
Penelope knows the tragic end that awaits the Scottish queen but she can neither change the course of events nor persuade her new family of the hopelessness of their cause, which love, loyalty, and justice all compel them to embrace. Caught between present and past, Penelope is ever more torn by questions of freedom and fate. To travel in time, Penelope discovers, is to to be very much alone. And yet the slow recurrent rhythms of the natural world, beautifully captured by Alison Uttley, also speak of a greater ongoing life that transcends the passage of years.
