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The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it.
There are many voices in this novel: children's voices, adult voices, underground voices--but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.

Janie can't believe that her loving parents kidnapped her, but as she begins to piece things together, nothing makes sense. Something is terribly wrong. Are Mr. and Mrs. Johnson really Janie's parents? And if not, who is Janie Johnson, and what really happened?

Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged ten, and Flora, eight. At first, everything appears normal but then events gradually begin to weave a spell of psychological terror.
One night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. Moreover, both the governess and the housekeeper suspect that the two spirits have appeared to the boy in private. The children, however, adamantly refuse to acknowledge the presence of the two spirits, in spite of indications that there is some sort of evil communication going on between the children and the ghosts.
Without resorting to clattering chains, demonic noises, and other melodramatic techniques, this elegantly told tale succeeds in creating an atmosphere of tingling suspense and unspoken horror matched by few other books in the genre. Known for his probing psychological novels dealing with the upper classes, James in this story tried his hand at the occult — and created a masterpiece of the supernatural that has frightened and delighted readers for nearly a century.

Burdened by poverty and spiritually dulled by a loveless marriage to an older woman. Frome is emotionally stirred by the arrival of a youthful cousin who is employed as household help. Mattie's presence not only brightens a gloomy house but stirs long-dormant feelings in Ethan. Their growing love for one another, discovered by an embittered wife, presages an ending to this grim tale that is both shocking and savagely ironic.

Newbery Honor Book • ALA Notable Book • An SLJ Best Book • A Jane Addams Award Honor Book • Winner of the Jewish Book Council Children’s Book Award
A classic WWII survivor story based on award-winning author Johanna Reiss’s own childhood during the Holocaust.
When the German army occupied Holland in 1940, Annie was only eight years old. Because she was Jewish, the occupation put her in grave danger. Most people thought the war wouldn’t last long, but Annie knew that if she wanted to stay alive, she would have to go into hiding.
Fortunately, a Gentile family, the Oostervelds, offered refuge to Annie and her older sister, Sini. For two years they hid in the cramped upstairs room of the Oostervelds’s remote farmhouse. There, Annie and Sini would struggle to hold on to hope—separated from their family and confined to one tiny room—as a frightful and seemingly endless war raged on outside their window.
This classic autobiographical novel is a strong choice for classroom sharing and independent reading.


The mystery deepends
The room was shabby and dirty, heavy with heat. None of the things which Kenny called his own remained. Even the painted walls and skylight were gone.
Baffled, he wondered if other things -- even outside -- had changed. Kenny went to one of the windows and looked down. On a stoop across the dark street a man was standing, gazing straight at Kenny's window. He was wearing what appeared to be a long black cape which reached his knees, and a hat, triangular in shape. Its brim obscured his face.
As if suddenly realizing he was being observed, the man moved quickly into the shadows. Keeping his face averted, he fled up the street.

Hannah dreads going to her family's Passover Seder—she's tired of hearing her relatives talk about the past. But when she opens the front door to symbolically welcome the prophet Elijah, she's transported to a Polish village in the year 1942. Why is she there, and who is this "Chaya" that everyone seems to think she is? Just as she begins to unravel the mystery, Nazi soldiers come to take everyone in the village away. And only Hannah knows the unspeakable horrors that await. A critically acclaimed novel from multi-award-winning author Jane Yolen.
"[Yolen] adds much to understanding the effects of the Holocaust, which will reverberate throughout history, today and tomorrow." —SLJ, starred review
"Readers will come away with a sense of tragic history that both disturbs and compels." —Booklist
An American Bookseller "Pick of the Lists"

He was alone.
Fourteen-year-old David Alspeth intended only to fulfill his uncle's last wish when he set sail in the Frog, but when a savage storm slams into the tiny sailboat, David is stranded. No wind. No radio. Little water. Seven cans of food. And the storm is just the first challenge David must face...

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.
“I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from The Sound and the Fury