
When they meet at an out-of-state wedding, she reinvents her family and he downplays his, thinking they’ll never meet again, and they enjoy a few time-of-your life days. She assumes he lives in Chicago, site of the wedding, and she tells him she’s from California. But when Ric discovers Lacy lives an hour away from him in Indiana, he sets out to learn the truth. He really, really likes her, but why did she lie? He didn’t exactly come clean, but that’s not the same.
Lacy invented the ideal family and life she’d always wanted instead of the pervo group she was born into, and a week later, Ric who’s to die for, shows up in her hometown looking for her. Unless she goes underground, she’ll have to give it up and expose him to the Ginghams. Ha!

In the meantime, Sadeiq, the gypsy hunter, tries desperately to stop her transformation. She is turning into a hunter, and she desires to stop the process. Sadeiq desperately needs to locate Jolán for help.
The realm is deeply disturbed by the overwhelming destruction caused by the Order of the Hunters. The Order must keep a planetary balance, but they have developed into selfish and monopolistic creatures. The hunters are prepared to fight for their dominance; they do not want to lose their control. The sky world hungers for a planetary balance, and are prepared to use their forces in a fight against the Order.
The Hunters and the Queen Series:
Book I: Resurgence
Book II: Transcendence
Book III: Emergence (Coming Soon)
Book IV: Soon Thereafter
****Chapters from book III, Emergence, included at the end of Transcendence.****





He's forced to fight in a child army
Against the most evil of people
And learns the first casualty of war is the truth
“If you can’t trust yourself, Thomas, who can you trust?”

Award-winning historical novelist Ann Rinaldi paints a story of family, courage, and secrets during the forty-seven-day siege of Vicksburg, a battle that has sometimes been ignored in history because it ended the same day as the Battle of Gettysburg.

While studying under Vivaldi, three girls in a Venice orphanage forge their own notions of love in a sensuous, engrossing novel told in three narrative voices.
It is a longing and search for love that motivates three girls living in the Ospedale della Pietà, an orphanage renowned for its extraordinary musical program. But for Rosalba, Anetta, and Luisa, the love they seek is not where they expect to find it. Set in the early 1700s in the heart of Venice, this remarkable novel deftly weaves the history of Antonio Vivaldi’s early musical career into the lives of three young women who excel in voice and instrument. Under the composer’s tutelage and care, the orphans find expression, sustenance, and passion. But can the sheltered life of the orphanage prepare them for the unthinkable dangers outside its walls?

Someone is killing boys in a small town. The murder weapon is a truck, and the only protection is a curfew enacted to keep kids off the streets. But it’s summer—and that alone is worth the risk of staying out late for James, Willie, and Reggie.
Willie, who lost his arm in the first hit-and-run attack, finds it hard to keep up with his two best friends as they leave childhood behind. All of them are changing, hounded by their parents, hunted by the killer, and haunted by the “monster,” a dead thing that guards the dangerous gateway between youth and manhood. But that’s not all: shadowing the boys everywhere is Mel Herman, the mysterious and brilliant bully whose dark secrets may hold the key to their survival. As the summer burns away, these forces collide, and it will take compassion, brains, and guts for the boys to overcome their demons—and not become monsters themselves.
In this chilling and poignant debut novel, Daniel Kraus deftly explores the choices boys grapple with and the revelations that occur as they become men.

Greg, a self-confessed “indoor person,” is living out his ultimate summer fantasy: no responsibilities and no rules. But Greg’s mom has a different vision for an ideal summer . . . one packed with outdoor activities and “family togetherness.”
Whose vision will win out? Or will a new addition to the Heffley family change everything?
F&P level: T


Charlotte Usher discovers that the afterlife isn't quite what she pictured when she's forced to intern at a hotline for troubled teens. Before she can officially cross over, she'll have to be a source of guidance for one such teen. The problem is she doesn't have much advice to offer since dying hasn't exactly boosted her confidence level.
But when Hawthorne High's leading, love-to-hate cheerleader Petula and her gothic little sis' Scarlet find themselves suddenly resting-in-peace in comas, Charlotte's opportunity to save them will prove to be the risk of a lifetime-for all of them.
Praise for ghostgirl:
* Polished dark-and-deadpan humor, it's a natural fit with Gen Y, too." --Publishers Weekly (starred review)
* "[Tonya] beats out witty teen-speak like a punk-band drummer, keeping the narrative fast-paced and fun yet thought-provokingly heartwarming. Goofy, ghastly, intelligent, electrifying." --Kirkus (starred review)
*"Tim Burton and Edgar Allan Poe devotees will die for this fantastic, phantasmal read." --School Library Journal (starred review)
* "Readers with a taste for black humor and satire will feast on Hurley's crisp, wise dialogue. Anticipate a well deserved cult following." --VOYA (starred review)

Although she is the daughter of Damar's king, Aerin has never been accepted as full royalty. Both in and out of the royal court, people whisper the story of her mother, the witchwoman, who was said to have enspelled the king into marrying her to get an heir to rule Damar-then died of despair when she found she had borne a daughter instead of a son. But none of them, not even Aerin herself, can predict her future-for she is to be the true hero who will wield the power of the Blue Sword...
“[The Hero and the Crown] confirms McKinley as an important writer of modern heroic fantasy, a genre whose giants include C. S. Lewis, J. R. R. Tolkien, Ursula K. Le Guin.”—The Washington Post
“An utterly engrossing fantasy.”—The New York Times

