A 2017 National Book Award for Young People's Literature FinalistWhen Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now she'll do anything for the boy she loves, to prove she's worthy of him. But when he breaks up with her, Nina is lost. What is she if not a girlfriend? What is she made of? Broken-hearted, Nina tries to figure out what the conditions of love are."Finally, finally, a book that is fully girl, with all of the gore and grace of growing up female exposed." Carrie Mesrobian, author of the William C. Morris finalist, Sex & Violence

After breaking ties with the deadly Pirate King, Dean Seaborne thought he had left his life of spying and pirating behind. But when the merciless thief Captain Skinner threatens Dean's allies, Dean agrees to one last job. Along with his trusted friends Ronan and Waverly, he agrees to help rob a sea-based resort for the richest of nobles. They'll pose as a band of traveling performers and then lead Skinner to the loot. But the moment Dean reaches the resort, the plan changes. The getaway is actually a gateway—to the undersea kingdom of Atlantis. And a civil war is brewing in the depths, with Dean soon to be caught in the middle of it. As his enemies multiply, above and below the waves, Dean finds himself in over his head like never before.

Julie Ann Wambach, an Arizona resident for fifty years, sets her new book, Games of Make-Believe, in the early Phoenix, Arizona, area where the population by 1990 had grown by seven and half times of that in 1960. During these years, the explosive building boom and rapid cultural changes brought by an influx of diverse people from many other parts of the country imposed a heavy price tag on residents. For Dr. Wambach, a retired college professor whose early writings were primarily in the academic arena, this is her first work of fiction. Amidst the 1960-1990 Phoenix transformation, the Prince family struggles to create what we now call a "blended family" before they ever heard the term. When a prosperous gentleman convinces her to marry him, Bella's arduous existence suddenly holds the promise of enchantment. Thus begins twenty-eight stories, some in the style of a romantic fairytale, others of a comedy or a tragedy. Together, the stories explore the role of make-believe in a dysfunctional stepfamily trying to make sense of their lives in the changing community around them. At the center of the family discord is the daughter who Bella's husband brings into the marriage. Renata immediately rejects her new stepmother and two stepsisters. No one knows how to unify this group. As an adult survivor of child abuse, Bella struggles to create a convincing self-identity within her new husband's affluent world. Her take-charge approach to running the family convinces others, but not herself. In an effort to make sense of it all, Bella latches onto a series of religions and pop psychologies, while her husband wholly devotes himself to the intense competition surrounding his flourishing home development business.

From the author of We Are the Ants comes “another winner” (Booklist, starred review) about a boy who believes the universe is slowly shrinking as things he remembers are being erased from others’ memories.Tommy and Ozzie have been best friends since the second grade, and boyfriends since eighth. They spent countless days dreaming of escaping their small town—and then Tommy vanished. More accurately, he ceased to exist, erased from the minds and memories of everyone who knew him. Everyone except Ozzie. Ozzie doesn’t know how to navigate life without Tommy, and soon he suspects that something else is going on: that the universe is shrinking. When Ozzie is paired up with the reclusive and secretive Calvin for a physics project, it’s hard for him to deny the feelings developing between them, even if he still loves Tommy. But Ozzie knows there isn’t much time left to find Tommy—that once the door closes, it can’t be opened again. And he’s determined to keep it open as long as possible.