Synopsis: Both torn from their homes in Laos, a boy and a moon bear cub form a deep bond in this “moving and memorable” (Kirkus Reviews, starred review) tale of impossible odds and resilient hope, based on true and tragic conditions in Eastern Asia.

Twelve-year-old Tam, on a dare, ventures into a moon bear den in the mountains of Northern Laos. His goal is to steal the cub and sell it, making a fortune for his family. But the mother bear’s unexpected return upends Tam’s plan, and he barely escapes with his life. And then his life implodes anyway: his entire mountain village is made to relocate to make room for a new highway. Lured by the promise of electricity, running water, and a television, Tam’s people move to an overcrowded village, where Tam’s father is killed by a stray landmine.

Now the family breadwinner, Tam is forced to work hundreds of miles away in the city of Laos, at a moon bear farm where bile from bear gall bladders is used for medicine. It is a cruel, miserable place, and when a familiar face—the very cub he’d seen in the den in Vietnam—is sold to the bear farm, Tam knows he must save this moon bear, no matter what it takes.

Deeply and powerfully moving, Moon Bear is an unforgettable story of compassion, hope, and bravery against overwhelming odds, and brings to light the real-life, heartwrenching plight of Asia’s endangered moon bears.

Synopsis: A young wolf seeks the bravery to be himself in this “rich take on the wild that quickens the pulse and fills the heart” (Kirkus Reviews), from the author of National Book Award Finalist Mean Margaret and The Wainscott Weasel.

Wolves. Predators of the wild. Stalkers of the forests. Born into rankings and expected to live up to their roles. Blue Boy, the alpha male of his pack, is the largest wolf many have ever seen, and his dream is to have a firstborn son who will take after him in every way. But Lamar is not turning out the way his father hoped. Lamar likes to watch butterflies. He worries if his younger siblings fall behind in the hunt. He has little interest in peacocking in front of other clans. Blue Boy grows increasingly dismayed at Lamar’s lack of wolf instincts, and then Lamar does the intolerable: he becomes attracted to a coyote. While the other infractions can be begrudgingly tolerated, this one cannot, and the unity of the pack is in jeopardy. Lamar wants to make his family happy, but is doing what is expected of him worth losing the only true friend he’s ever had?

Full of bite and beauty that will make you think of White Fang, then Ferdinand, this story cuts to the heart of what’s most important: being true to yourself, and being true to others.

Synopsis: For history lovers and journal fans comes a “hilarious and heartbreaking . . . 99–100% fantastic” (A Fuse #8 Production, School Library Journal) story about a boy on a mission to find his long-lost father in the logging camps of Michigan.
 
There are many things that 11-year-old Stanley Slater would like to have in life—most of all, a father. But what if Stan’s missing dad isn’t “dearly departed” after all?
 
Armed with his stupendous scrapbook, full of black-and-white 19th-century advertisements and photos, Stan’s attempt to locate his long-lost hero/cowboy/outlaw dad is a near-death adventure fraught with pesky relatives, killer lumberjacks, and poisonous pies! His tale will leave readers in stitches, but not the kind that require medical attention.
 
Praise for My Near-Death Adventures (99% True!)
“A knee-slapper of a debut featuring a narrator who is rather less than 99 percent reliable but 100 percent engaging.” —Kirkus Reviews

“[An] exuberant first novel.” —Publishers Weekly

“Stan’s story is full of his hilarious misunderstandings and overactive imagination. Interspersed throughout are pictures and news clippings embellished with wisecrack remarks, speech bubbles, and the occasional mustache.” —Booklist

Synopsis: When forced to choose between staying with her guardian and being with her big brother, Ari chose her big brother. There’s just one problem—Gage doesn’t actually have a place to live.

When Ari’s mother died four years ago, she had two final wishes: that Ari and her older brother, Gage, would stay together always, and that Ari would go to Carter, the middle school for gifted students. So when nineteen-year-old Gage decides he can no longer live with their bossy guardian, Janna, Ari knows she has to go with him. But it’s been two months, and Gage still hasn’t found them an apartment. He and Ari have been “couch surfing,” staying with Gage’s friend in a tiny apartment, crashing with Gage’s girlfriend and two roommates, and if necessary, sneaking into a juvenile shelter to escape the cold Maine nights. But all of this jumping around makes it hard for Ari to keep up with her schoolwork, never mind her friendships, and getting into Carter starts to seem impossible. Will Ari be forced to break one of her promises to Mama? Told in an open, authentic voice, this nuanced story of hiding in plain sight may have readers thinking about homelessness in a whole new way.

Synopsis: The New York Post praised Twerp as “reminiscent of The Perks of Being a Wallflower.” Finding the Worm is a sequel that stands on its own--an unforgettable coming-of-age story about life, loss, and friendship. Perfect for fans of The Sandlot and readers who love books by Jennifer L. Holm, Andrew Clements, and Rebecca Stead.
 
It’s not a test unless you can fail. . . .
 
Trouble always seems to find thirteen-year-old Julian Twerski. First it was a bullying incident, and now he’s been accused of vandalizing a painting. The principal doesn’t want to suspend him again, so instead, he asks Julian to write a 200-word essay on good citizenship. Julian writes 200 no’s instead, and so begins an epic struggle between Julian and his principal.
 
Being falsely accused is bad enough, but outside of school, Julian’s dealing with even bigger issues. His friend Quentin has been really sick. How can life be fair when the nicest guy in your group has cancer? Julian’s faith and friendships are put to the test . . . and the stakes have never been higher.

Praise for Twerp:
 
A Bank Street Best Book of the Year
 
A Junior Library Guild Selection
 
A Summer Top Ten Kids’ Indie Next List Pick
 
“Reminiscent of The Perks of Being a Wallflower. . . . You don’t have to be a twerp to read this book.” —New York Post
 
“A vivid, absorbing story about one boy’s misadventure, heartache, and hope for himself.” —Rebecca Stead, Newbery Medal–winning author of When You Reach Me
 
“[Fans of] Jeff Kinney’s Diary of a Wimpy Kid who have matured beyond the scope and gravity of that series will find a kindred spirit in Julian.” —School Library Journal
 
“Reminiscent of movies like The Sandlot. . . . Well-written and funny.” —The Advocate
 
“Alternately poignant and comical. . . . A thought-provoking exploration of bullying, personal integrity and self-acceptance.” —Kirkus Reviews
 
“Funny, poignant, and an effective commentary on bullying and its consequences.” —The Horn Book Magazine

Synopsis: New York Times Bestseller

“A double helping of fun and mischief!”
—Jeff kinney, author of the Diary of a Wimpy Kid series
 
“Hilarious.”
—Dav Pilkey, author of the Captain Underpants series
 
Miles Murphy is not happy to be moving to Yawnee Valley, a sleepy town that’s famous for one thing and one thing only: cows. In his old school, everyone knew him as the town’s best prankster, but Miles quickly discovers that Yawnee Valley already has a prankster, and a great one. If Miles is going to take the title from this mystery kid, he is going to have to raise his game.
 
It’s prankster against prankster in an epic war of trickery, until the two finally decide to join forces and pull off the biggest prank ever seen: a prank so huge that it would make the members of the International Order of Disorder proud.
 
In The Terrible Two, bestselling authors and friends Mac Barnett and Jory John have created a series that has its roots in classic middle-grade literature yet feels fresh and new at the same time.
 
“The pranks, the brotherhood, the art, the heart! What’s not to love about the Terrible Two?”
—Sara Pennypacker, author of the Clementine series
 
“You don’t have to be a cow, like cows, or even know a cow to love the Terrible Two.”
—Dave Eggers
 
“This book is terrible! Terribly funny, terribly full of pranks, and terribly wonderful.”
—Jon Scieszka, author of The Stinky Cheese Man and the Frank Einstein series
 
“The Terrible Two are my kind of kids. And what’s more, they’re kids’ kind of kids.”
—Annie Barrows, author of the Ivy & Bean series