BEING DUMPED HURTS. But you know what? It happens to everyone. Even Gwyneth, even Cameron, even Madonna have been on the losing end of love. The part you might not believe is that no matter how brutally your heart’s been broken, those wounds will heal. But the longer you dwell on the dork, the longer your heart will remain cracked. Enter 30 Days to Getting Over the Dork You Used to Call Your Boyfriend. One day at a time, 30 days in a row. At the end, you’ll find you have the power to yank that dagger out of your chest, stand tall, walk proud, and move on. And along the way, you may just discover something marvelous and surprising about yourself.

Inside Manhattan's private school world of fast-paced over-the-top entitlement and superficial gloss lurk many secrets―the secrets of emotionally charged teenage and adult lives. In this eloquent novel set during one class's senior year at the Griffin School, among the queen bees and the wannabes, Michael Avery and Julianne Coopersmith begin a relationship. Their backgrounds are so different―he's beyond privileged and rich, her mother is a writer who drives a cab―but it's the rich boy who ends up being the needy one, with an emotional hole they both believe only Julianne can fill. Their parents are not immune from internal torture either―Michael's mother finds it easier to love her Chinese Crested Hairless than her own child, and Julianne's mother's protective instincts have unexpected consequences.Fast-paced, gently satirical, yet deeply felt, Posh is a poignant and knowing novel.

Frederick Langlois could be that geeky 17-year-old found in every high school — the one who closely clutches his poem-filled notebook, who feels a bit too deeply, who’s just a little too old for his years. But Frederick isn’t in high school. He’s in a hospital ward with other critically ill adolescents, dying of bone cancer. Mercury Under the Tongue chronicles his short stay there, from his distant but friendly relationship with his therapist through comic moments in the ward and his emergent friendships with other teenage patients. Some survive, others are lost, and at the end, Frederick must make a final reckoning with himself and his family, one that is at once dispassionate and deeply felt. Avoiding both misty stoicism and made-for-TV bathos, the book exposes the fallible body as the humanizing factor that grounds spirited adolescent talk, creating a believable, likable protagonist while weaving a compelling, lyrical story.

Newbery Medalist Avi weaves one of his most suspenseful and scary tales—about a ghost who has to be seen to be believed and must be kept from carrying out a horrifying revenge. The time is 1872. The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen. Horace's first real photographs reveal a frightful likeness: it's the image of the Von Machts' dead daughter, Eleanora. Pegg, the Von Machts' black servant girl, then leads him to the truth about who Eleanora really was and how she actually died. Joined in friendship, Pegg and Horace soon realize that his photographs are evoking both Eleanora's image and her ghost. Eleanora returns, a vengeful wraith intent on punishing those who abused her. Rich in detail, full of the magic of early photography, here is a story about the shadows, visible and invisible, that are always lurking near.